The Stuarts invented the internet

From the New Yorker:

To live up to its billing, Internet journalism has to meet high standards both conceptually and practically: the medium has to be revolutionary, and the journalism has to be good. The quality of Internet journalism is bound to improve over time, especially if more of the virtues of traditional journalism migrate to the Internet. But, although the medium has great capabilities, especially the way it opens out and speeds up the discourse, it is not quite as different from what has gone before as its advocates are saying.

Societies create structures of authority for producing and distributing knowledge, information, and opinion. These structures are always waxing and waning, depending not only on the invention of new means of communication but also on political, cultural, and economic developments. An interesting new book about this came out last year in Britain under the daunting title “Representation and Misrepresentation in Later Stuart Britain: Partisanship and Political Culture.” It is set in the late seventeenth and early eighteenth centuries, and although its author, Mark Knights, who teaches at the University of East Anglia, does not make explicit comparisons to the present, it seems obvious that such comparisons are on his mind.

The “new media” of later Stuart Britain were pamphlets and periodicals, made possible not only by the advent of the printing press but by the relaxation of government censorship and licensing regimes, by political unrest, and by urbanization (which created audiences for public debate). Today, the best known of the periodicals is Addison and Steele’s Spectator, but it was one of dozens that proliferated almost explosively in the early seventeen-hundreds, including The Tatler, The Post Boy, The Medley, and The British Apollo. The most famous of the pamphleteers was Daniel Defoe, but there were hundreds of others, including Thomas Sprat, the author of “A True Account and Declaration of the Horrid Conspiracy Against the Late King” (1685), and Charles Leslie, the author of “The Wolf Stript of His Shepherd’s Cloathing” (1704). These voices entered a public conversation that had been narrowly restricted, mainly to holders of official positions in church and state. They were the bloggers and citizen journalists of their day, and their influence was far greater (though their audiences were far smaller) than what anybody on the Internet has yet achieved.

As media, Knights points out, both pamphlets and periodicals were radically transformative in their capabilities. Pamphlets were a mass medium with a short lead time—cheap, transportable, and easily accessible to people of all classes and political inclinations. They were, as Knights puts it, “capable of assuming different forms (letters, dialogues, essays, refutations, vindications, and so on)” and, he adds, were “ideally suited to making a public statement at a particular moment.” Periodicals were, by the standards of the day, “a sort of interactive entertainment,” because of the invention of letters to the editor and because publications were constantly responding to their readers and to one another.

Then as now, the new media in their fresh youth produced a distinctive, hot-tempered rhetorical style.